A government which robs Peter to pay Paul can always depend on the support of Paul.

George Bernard Shaw

More information about this quote

Topic

Redistribution of wealth

Author

George Bernard Shaw

Source

Everybody's Political What's What?

Genre

Political literature

Language

English

Time

1944 1940s 20th century

Occupation

Playwright Writer

From

Ireland Europe

Authentication Score 3

Citation

Shaw, George Bernard. Everybody's Political What's What? Constable & Company/Dodd, Mead & Company, 1944, ch. 30.

Illustrated Quote

A quote by George Bernard Shaw about redistribution of wealth: “A government which robs Peter to pay Paul can always…”
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A quote by George Bernard Shaw about redistribution of wealth: “A government which robs Peter to pay Paul can always…”
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A quote by George Bernard Shaw about redistribution of wealth: “A government which robs Peter to pay Paul can always…”
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Related Quotes

Below are one or more quotes that share at least one tag with the quote at the top of the page

Another quote from the 1940s

Oh, what a beautiful mornin'
Oh, what a beautiful day.
I got a beautiful feelin'
Everything's going my way.

Rodgers and Hammerstein

More information about this quote
Topic
Optimism

Author

Rodgers and Hammerstein
Source
Oh, What a Beautiful Mornin' Oklahoma!
Medium
Song Musical
Genre
Great American songbook
Language
English
Time
1943 1940s 20th century
Authentication Score 3
Citation

Hammerstein, Oscar, II. "Oh, What a Beautiful Mornin'." Oklahoma! Composed by Richard Rodgers. 1943, St. James Theatre, New York City, New York, USA.

Another quote from 1944

Hell is other people.

Jean-Paul Sartre

More information about this quote
Topic
Hell Misanthropy
Speaker
Garcin

Author

Jean-Paul Sartre
Source
No Exit
Medium
Play
Language
French
Time
1944 1940s 20th century
Authentication Score 2
Original Citation

Sartre, Jean Paul. Huis-clos [No Exit]. May 1944, Théâtre du Vieux-Colombier, Paris, France, act 1, sc. 5.

Current Citation

Sarte, Jean Paul. "No Exit." No Exit and Three Other Plays. Vintage, 1989, act 1, sc. 5.