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Everyone runs in her own way, or his own way and where does the power come from, to see the race to its end? From within.

Chariots of Fire

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Chariots of Fire. Directed by Hugh Hudson, Allied Stars Ltd/Goldcrest Films/Enigma Productions, 1981.

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On guard at night you'll write letters, play with your organ, and think of your girl back home. Forget her. Some hair head has her on her back right now and is telling her to fuck for peace.

Hamburger Hill

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Hamburger Hill. Directed by John Irvin, RKO Pictures, 1987.

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I don't want to get any messages saying that we are holding our position. We're not holding anything. Let the Hun do that. We are advancing constantly and we are not interested in holding on to anything except the enemy. We're going to hold on to him by the nose and we're gonna kick him in the ass. We're gonna kick the hell out of him all the time and we're gonna go through him like crap through a goose!

Patton

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Patton. Directed by Franklin J. Schaffner. 20th Century Fox, 1969.

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I was hopping along, minding my own business, all of a sudden, up he comes, cures me! One minute I’m a leper with a trade, next minute my livelihood’s gone. Not so much as a by-your-leave! “You’re cured, mate.” Bloody do-gooder.

Monty Python's Life of Brian

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Monty Python's Life of Brian. Directed by Terry Jones, Handmade Films/Python (Monty) Pictures, 1979.

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You have a problem with authority, Mr. Anderson. You believe that you are special, that somehow the rules do not apply to you. Obviously, you are mistaken.

The Matrix

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The Matrix. Directed by The Wachowskis. Warner Bros./Village Roadshow Pictures/Groucho II Film Partnership/Silver Pictures, 1999.

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I was getting two educations: One from the street and one from school. That way I’d be twice as smart as everybody.

A Bronx Tale

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A Bronx Tale. Directed by Robert De Niro, Price Entertainment/TriBeCa Productions, 1993.

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No, I like baseball. I just never understood how you guys can spend so much time discussing it. I mean, I've been to games, but I don't memorize who played third base for Pittsburgh in 1960.

City Slickers

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City Slickers. Directed by Ron Underwood, Castle Rock Entertainment/Face Productions/Nelson Entertainment, 1991.

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Murder's never perfect. Always comes apart sooner or later, and when two people are involved it's usually sooner.

Double Indemnity

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Double Indemnity. Directed by Billy Wilder, Paramount Pictures, 1944.

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And crawling on the planet's face, some insects called the human race. Lost in time, and lost in space and meaning.

The Rocky Horror Picture Show

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The Rocky Horror Picture Show. Directed by Jim Sharman, Michael White Productions, 1975.

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I have been in three different prisons, Montgomery. Three different countries. And you know what I learned? I learned prison is a bad place to be.

25th Hour

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25th Hour. Directed by Spike Lee. Touchstone Pictures/25th Hour Productions/40 Acres and a Mule Filmworks/Gamut Films/Industry Entertainment, 2002.

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No, no, really! Memory's not perfect. It's not even that good. Ask the police. Eyewitness testimony is unreliable. The cops don't catch a killer by sitting around remembering stuff. They collect facts, they make notes and they draw conclusions. Facts, not memory. That's how you investigate. I know. It's what I used to do. Look, memory can change the shape of a room. It can change the color of a car and memories can be distorted. They're just an interpretation. They're not a record. They're irrelevant if you have the facts.

Memento

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Memento. Directed by Christopher Nolan, Summit Entertainment/Team Todd, 2000.

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Now, I had heard that word at least ten times a day from my old man. My father worked in profanity the way other artists might work in oils or clay. It was his true medium; a master.

Ralphie Parker

A Christmas Story

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A Christmas Story. Directed by Bob Clark, Metro-Goldwyn-Mayer, 1983.

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We find it’s always better to fire people on a Friday. Studies have statistically shown that there’s less chance of an incident if you do it at the end of the week.

Office Space

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Office Space. Directed by Mike Judge, Judgemental Films, 1999.

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War educates the senses, calls into action the will, perfects the physical constitution, brings men into such swift and close collision in critical moments that man measures man.

Saving Private Ryan

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Saving Private Ryan. Directed by Steven Spielberg, Amblin Entertainment, DreamWorks Pictures/Mutual Film Company, 1998.

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If we've told lies, you've told half-lies. A man who tells lies, like me, merely hides the truth. But a man who tells half-lies has forgotten where he put it.

Lawrence of Arabia

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Lawrence of Arabia. Directed by David Lean, Horizon Pictures, 1962.

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We'll drive. Keep driving. Head out to the middle of nowhere, take that road as far as it takes us. You've never been west of Philly, have ya? This is a beautiful country, Monty. It's beautiful out there, looks like a different world. Mountains, hills, cows, farms, and white churches.

25th Hour

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25th Hour. Directed by Spike Lee. Touchstone Pictures/25th Hour Productions/40 Acres and a Mule Filmworks/Gamut Films/Industry Entertainment, 2002.

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We all make mistakes. We know we make mistakes. I don't know any military commander, who is honest, who would say he has not made a mistake. There's a wonderful phrase: "the fog of war." What "the fog of war" means is: war is so complex it's beyond the ability of the human mind to comprehend all the variables. Our judgment, our understanding, are not adequate. And we kill people unnecessarily.

Robert McNamara

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The Fog of War. Directed by Errol Morris, RadicalMedia/SenArt Films, 2003.

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I enjoy being afraid of Russia. It's a harmless fear, but it makes America feel better, Russia gets an inflated sense of national worth from our paranoia. How's that?

St. Elmo's Fire

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St. Elmo's Fire. Directed by Joel Schumacher, Channel-Lauren Shuler, 1985.

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I’m messed up. I am. You know, on the one hand, I want to forget her. On the other hand, I know that she’s the only person in the entire universe that will make me happy.

(500) Days of Summer

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(500) Days of Summer. Directed by Marc Webb, Searchlight Pictures, Watermark, and RatPac Entertainment, 2009.

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Sometimes that shark he looks right into ya. Right into your eyes. You know, the thing about a shark, he's got...lifeless eyes. Black eyes. Like a doll's eyes. When he comes at ya, doesn't seem to be living...until he bites ya, and those black eyes roll over white and then...ah, then you hear that terrible high-pitched screamin', and the ocean turns red.

Jaws

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Jaws. Directed by Steven Spielberg, Zanuck/Brown Company/Universal Pictures, 1975.

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